{"id":10557,"date":"2018-09-27T18:19:22","date_gmt":"2018-09-28T01:19:22","guid":{"rendered":"https:\/\/lapost.us\/?p=10557"},"modified":"2018-09-27T22:37:12","modified_gmt":"2018-09-28T05:37:12","slug":"in-memoriam-david-wong-louie-63-pioneering-author-of-chinese-american-experience","status":"publish","type":"post","link":"https:\/\/lapost.us\/?p=10557","title":{"rendered":"In Memoriam: David Wong Louie, 63, pioneering author of Chinese-American experience"},"content":{"rendered":"
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The prize-winning writer took great pride in his immigrant, working class origins<\/h2>\n

UCLA Newsroom |

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D<\/span>avid Wong Louie, UCLA professor emeritus of creative writing and Asian American literary studies, died of throat cancer at home with family at his side on Sept. 19. He was 63.<\/p>\n

Internationally recognized as a literary pioneer in Chinese-American writing in several genres \u2014 novel, short story and personal essay \u2014 Louie forged a powerfully eloquent voice that mapped with deep sensitivity and darkly comic wit, the trials and insights born of inhabiting and navigating the difficult and often invisible spaces between white America and Chinese America.<\/p>\n

\u201cIt is quite rare to find a great writer, an inspiring teacher, and a wonderful human being in the same body, but David Wong Louie was the embodiment of that exceptional combination,\u201d said Ali Behdad, the John Charles Hillis Professor of Literature and the director of the UCLA Center for Near Eastern Studies.<\/p>\n

Louie\u2019s stature in the canon of American letters was acknowledged by the inclusion of his story \u201cDisplacement\u201d in One Hundred Years of the Best American Short Stories. In his final published essay,\u00a0\u201cEat, Memory<\/a>,\u201d which ran in Harper\u2019s and was selected for\u00a0The Best American Essays\u00a02018,\u00a0Louie\u00a0wrote about his experience of not being able to eat for six years following surgery for throat cancer. For a writer who had placed food, Chinese and otherwise, front and center in his stories,\u00a0he conveyed with the deepest humanity, the loss of tasting food and sharing the pleasure and critical appreciation of meals.<\/p>\n

Louie joined the UCLA English department in 1992 and was also affiliated with the department of Asian American studies. He was the first Asian American writer hired by UCLA to teach both creative writing and Asian American literature in a tenure-track capacity. Being a pioneer was part of Louie\u2019s professional experience; at Vassar he created and taught the first Asian American literature course.<\/p>\n

He received his bachelor\u2019s degree from Vassar College and his M.F.A. from the University of Iowa. Louie was weaned on the Vassar tradition that creative writing and literature go hand in hand, that writers must also be readers. He mentored hundreds of students of diverse ethnicities and genders, including some who themselves became noted writers.<\/p>\n

Born Dec. 20, 1954 in Rockville Center, New York, Louie grew up behind his family’s Chinese laundry in East Meadow, New York. He and his siblings were virtually the only Asian-Americans in a high school of 3,000 students. He took great pride in his immigrant, working class origins, but he also used that experience in \u201cThe Barbarians Are Coming\u201d\u00a0to explode the threadbare stereotypes of Chinese Americans.<\/p>\n

When published in 1991, \u201cPangs of Love\u201d won the Los Angeles Times Book Review First Fiction Award, the Ploughshares First Fiction Book Award and was a New York Times Book Review Notable Book of 1991 and a Voice Literary Supplement Favorite of 1991.<\/p>\n

\u201cTo say that David Wong Louie is unique is to state the pure truth,\u201d said the Los Angeles Times. \u201cHe has broken the silence of Chinese men in America.\u201d<\/p>\n

The L.A. Times\u2019 review captured the focus and reach of Louie\u2019s writing.<\/p>\n

\u201cIt must be said right off that Louie is the furthest thing from a genre ethnic writer. He is elegant, funny, a touch spooky, and has as fine a hair-trigger control of alienation and absurdity as any of the best of his generation. The odd plight of his young Chinese Americans is an illuminating special symptom in a wider malaise.\u201d<\/p>\n

\u201cThe Barbarians Are Coming\u201d won the Association for Asian American Studies Prose Award in 2002. The New York Times review called attention to the novel\u2019s deft treatment of the \u201crift between the second-generation protagonist and the society he seeks to belong to. More deeply, it is about the about the rift within himself, one that imparts to the narrator\u2019s words and perceptions the skittering instability of mercury spilled out of a broken thermometer.\u201d<\/p>\n

A forthcoming expanded edition of \u201cPangs of Love\u201d will include \u201cEat, Memory\u201d and the short story \u201cCold Hearted,\u201d\u00a0as well as a new introduction by Pulitzer Prize-winning author Viet Thanh Nguyen and an\u00a0afterword by colleague and friend King-Kok\u00a0Cheung, professor of English at UCLA.\u00a0It will be published by\u00a0University of Washington Press in 2019.\u00a0In her afterword, Cheung\u00a0captured the essence of Louie’s gift.<\/p>\n

\u201cIllness had deprived Louie of his identity as an eater and isolated him\u00a0from the day-to-day eating majority.\u00a0But outrageous fortune had not taken away what verily was his one enduring talent \u2014 writing, his singular gift with words,\u201d Cheung writes.<\/p>\n

With gratitude, Louie\u2019s colleagues remember his brilliance as a teacher and his extraordinary generosity, not to mention his abiding sense of humor, disarming wit, and, in recent years, inspiring resilience.\u00a0He is survived by his wife Jackie, son Jules, daughter Sogna, sister, Marge, and brothers George and Richard.<\/p>\n

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