{"id":67300,"date":"2024-09-13T20:33:17","date_gmt":"2024-09-14T03:33:17","guid":{"rendered":"https:\/\/lapost.us\/?p=67300"},"modified":"2024-09-13T22:44:46","modified_gmt":"2024-09-14T05:44:46","slug":"usc-pacific-asia-museum-unveils-cai-guo-qiang-a-material-odyssey-in-groundbreaking-collaboration-with-getty","status":"publish","type":"post","link":"https:\/\/lapost.us\/?p=67300","title":{"rendered":"USC Pacific Asia Museum Unveils &#8220;Cai Guo-Qiang: A Material Odyssey&#8221; in Groundbreaking Collaboration with Getty"},"content":{"rendered":"<p style=\"text-align: center;\"><strong><em>Exhibition Explores World-Renowned Artist Cai Guo-Qiang&#8217;s Work Through the Lens of Scientific Research by Getty, as Part of PST ART: Art &amp; Science Collide<\/em><\/strong><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><em>On View September 17, 2024 \u2013 June 15, 2025<\/em><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Pasadena, Calif.<\/strong> <strong><em>September 13, 2024 (LAPost)<\/em><\/strong>\u00a0\u2013 \u2013 The USC Pacific Asia Museum (USC PAM) is proud to announce <em>Cai Guo-Qiang: A Material Odyssey<\/em>, an exhibition that delves into the acclaimed contemporary artist\u2019s four-decade-long exploration of gunpowder and pyrotechnics. The exhibition, running from September 17, 2024, to June 15, 2025, is based on extensive scientific research conducted by the Getty and features a comprehensive display of Cai&#8217;s iconic gunpowder paintings, drawings, and related scientific studies.<\/span><\/p>\n<p><span style=\"color: #000000;\">The exhibition accompanies Cai&#8217;s new commission by Getty, <em>WE ARE: Explosion Event for PST ART<\/em>, a breathtaking daytime fireworks performance set to take place on September 15, 2024, at the historic Los Angeles Memorial Coliseum. The performance, incorporating aerial drones and AI technology, launches PST ART\u2019s latest theme, <em>Art &amp; Science Collide<\/em>. Cai choreographed the event in collaboration with his custom AI model, cAI\u2122, blending AI, data science, and the cosmos into a spectacular visual experience.<\/span><\/p>\n<p><a href=\"https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02200.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-67350 aligncenter\" src=\"https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02200.jpg\" alt=\"\" width=\"1504\" height=\"1000\" srcset=\"https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02200.jpg 1504w, https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02200-300x199.jpg 300w, https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02200-1024x681.jpg 1024w, https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02200-768x511.jpg 768w, https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02200-520x346.jpg 520w\" sizes=\"auto, (max-width: 1504px) 100vw, 1504px\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><em> <span style=\"color: #000000;\">Dr. Bethany Montagano <\/span>(Photo by: Richard Ren\/LAPost)<\/em><\/p>\n<p><span style=\"color: #000000;\">Dr. Bethany Montagano, Director of USC Museums, shared her excitement: \u201cCai Guo-Qiang\u2019s innovative work, especially in collaboration with AI, reflects the cutting-edge research and creativity we champion at USC. We are thrilled to host <em>A Material Odyssey<\/em>, which perfectly aligns with this year\u2019s theme of <em>Art &amp; Science Collide<\/em>.\u201d<\/span><\/p>\n<p><a href=\"https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02205.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-67351\" src=\"https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02205.jpg\" alt=\"\" width=\"1504\" height=\"1000\" srcset=\"https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02205.jpg 1504w, https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02205-300x199.jpg 300w, https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02205-1024x681.jpg 1024w, https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02205-768x511.jpg 768w, https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02205-520x346.jpg 520w\" sizes=\"auto, (max-width: 1504px) 100vw, 1504px\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><em>Josh Kun, USC&#8217;s vice provost for the arts (Photo by: Richard Ren\/LAPost)<\/em><\/span><\/p>\n<p><span style=\"color: #000000;\">Cai\u2019s journey with gunpowder as a medium stretches back over 40 years. This material, originally invented in China over a millennium ago, represents the bridge between the visible and invisible worlds in his work. His creative process with gunpowder is defined by its unpredictable nature, lending his works a dynamic, ever-changing quality.<\/span><\/p>\n<p><a href=\"https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02223.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-67352\" src=\"https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02223.jpg\" alt=\"\" width=\"1504\" height=\"1000\" srcset=\"https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02223.jpg 1504w, https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02223-300x199.jpg 300w, https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02223-1024x681.jpg 1024w, https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02223-768x511.jpg 768w, https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02223-520x346.jpg 520w\" sizes=\"auto, (max-width: 1504px) 100vw, 1504px\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><em><span style=\"color: #000000;\">Cai Guo-Qiang\u00a0 (Photo by: Richard Ren\/LAPost)<\/span><\/em><\/p>\n<p><span style=\"color: #000000;\">The Getty&#8217;s multi-year interdisciplinary research into Cai\u2019s use of gunpowder culminated in this exhibition. The study, which utilized scientific techniques, oral histories, and archival research, delves into the evolution of Cai\u2019s practice and the conservation challenges his works present. The findings, including an analysis of the compounds and pigments in Cai\u2019s pyrotechnic powders, will be featured in the Getty Conservation Institute&#8217;s <em>The Artist&#8217;s Materials<\/em> series.<\/span><\/p>\n<p><a href=\"https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02230.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-67353 aligncenter\" src=\"https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02230.jpg\" alt=\"\" width=\"1504\" height=\"1000\" srcset=\"https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02230.jpg 1504w, https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02230-300x199.jpg 300w, https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02230-1024x681.jpg 1024w, https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02230-768x511.jpg 768w, https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02230-520x346.jpg 520w\" sizes=\"auto, (max-width: 1504px) 100vw, 1504px\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><em>(Photo by: Richard Ren\/LAPost)<\/em><\/p>\n<p><span style=\"color: #000000;\">Rachel Rivenc, Head of Conservation at Getty Research Institute and lead curator of the exhibition, noted: \u201cCai\u2019s embrace of gunpowder as a medium is a way for him to relinquish control over his artistic process. Understanding the materials and their inherent unpredictability is key to gaining deeper insights into his work.\u201d<\/span><\/p>\n<p><span style=\"color: #000000;\">In <em>A Material Odyssey<\/em>, visitors will embark on an educational journey, exploring the intersection of art and science in Cai&#8217;s work. The exhibition highlights both his early experimentation with pyrotechnics, including pieces like <em>Shadow: Pray for Protection<\/em> (1985-86), and his more recent explorations of AI. A dedicated gallery will showcase Cai&#8217;s groundbreaking collaboration with cAI\u2122, his custom AI model, which generates unique personas inspired by historical and contemporary figures.<\/span><\/p>\n<p><span style=\"color: #000000;\">The exhibition also features highlights from USC PAM\u2019s collection of over 15,000 objects spanning 4,000 years, with pieces that offer insights into the rich cultural and historical context of the museum\u2019s holdings. Notable items include four Shang Dynasty oracle bones, which provide a glimpse into early Chinese writing and the concerns of the ancient Shang elite.<\/span><\/p>\n<p><a href=\"https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02231.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-67354 aligncenter\" src=\"https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02231.jpg\" alt=\"\" width=\"1504\" height=\"1000\" srcset=\"https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02231.jpg 1504w, https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02231-300x199.jpg 300w, https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02231-1024x681.jpg 1024w, https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02231-768x511.jpg 768w, https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02231-520x346.jpg 520w\" sizes=\"auto, (max-width: 1504px) 100vw, 1504px\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><em><span style=\"color: #000000;\">Cai Guo-Qiang <\/span>(Photo by: Richard Ren\/LAPost)<\/em><\/p>\n<p><span style=\"color: #000000;\">USC PAM curator Rebecca Hall remarked, \u201cCai Guo-Qiang\u2019s work, with its bold use of gunpowder and its connection to both ancient and modern traditions, resonates deeply with the mission of our museum. It\u2019s a powerful reminder that as we explore new frontiers in art and science, we remain in constant dialogue with the past.\u201d<\/span><\/p>\n<p><span style=\"color: #000000;\">In addition to Cai\u2019s two-dimensional works and scientific imagery, the exhibition will include videos documenting the creation of his fireworks displays and gunpowder art. Dynamic public programs, including film screenings, workshops, and discussions, will also be held throughout the exhibition.<\/span><\/p>\n<p><a href=\"https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02269.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-67355\" src=\"https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02269.jpg\" alt=\"\" width=\"1504\" height=\"1000\" srcset=\"https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02269.jpg 1504w, https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02269-300x199.jpg 300w, https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02269-1024x681.jpg 1024w, https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02269-768x511.jpg 768w, https:\/\/lapost.us\/wp-content\/uploads\/2024\/09\/a-DSC02269-520x346.jpg 520w\" sizes=\"auto, (max-width: 1504px) 100vw, 1504px\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><em>(Photo by: Richard Ren\/LAPost)<\/em><\/p>\n<p><span style=\"color: #000000;\"><em>A Material Odyssey<\/em> first debuted in 2020 as a small display within Cai\u2019s solo exhibition <em>Odyssey and Homecoming<\/em> at Beijing\u2019s Palace Museum. After touring Shanghai\u2019s Museum of Art Pudong in 2021, the exhibition now arrives at USC PAM in a much-expanded version. Curated by Rachel Rivenc, Tom Learner of the Getty Conservation Institute, Andrew Perchuk of Getty Research Institute, and Rebecca Hall of USC Pacific Asia Museum, this exhibition is poised to offer a transformative look into the convergence of art, science, and the work of Cai Guo-Qiang.\u00a0\u00a0(By: Richard Ren\/LAPost)<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Exhibition Explores World-Renowned Artist Cai Guo-Qiang&#8217;s&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":67353,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,6],"tags":[],"class_list":["post-67300","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-ca-local"],"_links":{"self":[{"href":"https:\/\/lapost.us\/index.php?rest_route=\/wp\/v2\/posts\/67300","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lapost.us\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lapost.us\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lapost.us\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lapost.us\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=67300"}],"version-history":[{"count":5,"href":"https:\/\/lapost.us\/index.php?rest_route=\/wp\/v2\/posts\/67300\/revisions"}],"predecessor-version":[{"id":67358,"href":"https:\/\/lapost.us\/index.php?rest_route=\/wp\/v2\/posts\/67300\/revisions\/67358"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lapost.us\/index.php?rest_route=\/wp\/v2\/media\/67353"}],"wp:attachment":[{"href":"https:\/\/lapost.us\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=67300"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lapost.us\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=67300"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lapost.us\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=67300"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}