{"id":72725,"date":"2025-05-09T14:55:03","date_gmt":"2025-05-09T21:55:03","guid":{"rendered":"https:\/\/lapost.us\/?p=72725"},"modified":"2025-05-09T15:06:11","modified_gmt":"2025-05-09T22:06:11","slug":"chung-mong-hong-an-american-cinematheque-retrospective-in-los-angeles","status":"publish","type":"post","link":"https:\/\/lapost.us\/?p=72725","title":{"rendered":"Chung Mong-Hong: An American Cinematheque Retrospective in Los Angeles"},"content":{"rendered":"<p><span style=\"color: #000000;\"><strong>LAPost\/Los Angeles, Ca (May 9, 2025)<\/strong> &#8211; The Taiwan Academy in Los Angeles collaborates with American Cinematheque to present the Chung Mong-Hong Retrospective at Los Feliz 3 and Aero Theater starting from May 16 to 18, 2025. It will showcase four films from the director&#8217;s repertoire &#8220;Parking,\u201d &#8220;Godspeed,&#8221; &#8220;A Sun,&#8221; and &#8220;The Embers.&#8221;<\/span><\/p>\n<div id=\"attachment_72729\" style=\"width: 500px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/lapost.us\/wp-content\/uploads\/2025\/05\/Chung_Mong-Hong_An_American_Cinematheque_Retrospective_May_16_to-_May_182025.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-72729\" class=\"size-full wp-image-72729\" src=\"https:\/\/lapost.us\/wp-content\/uploads\/2025\/05\/Chung_Mong-Hong_An_American_Cinematheque_Retrospective_May_16_to-_May_182025.png\" alt=\"\" width=\"490\" height=\"325\" srcset=\"https:\/\/lapost.us\/wp-content\/uploads\/2025\/05\/Chung_Mong-Hong_An_American_Cinematheque_Retrospective_May_16_to-_May_182025.png 490w, https:\/\/lapost.us\/wp-content\/uploads\/2025\/05\/Chung_Mong-Hong_An_American_Cinematheque_Retrospective_May_16_to-_May_182025-300x199.png 300w\" sizes=\"auto, (max-width: 490px) 100vw, 490px\" \/><\/a><p id=\"caption-attachment-72729\" class=\"wp-caption-text\"><span style=\"color: #000000;\">Chung Mong-Hong <\/span>Photo courtesy of CREAM PRODUCTION CO., LTD.<\/p><\/div>\n<p><span style=\"color: #000000;\">As the indisputable Golden Horse Award winner in Taiwan, Director Chung&#8217;s films have been selected three times as Taiwan&#8217;s submission to the Academy Awards&#8217; best international film category, establishing him as a significant figure in the country&#8217;s film industry.<\/span><\/p>\n<p><span style=\"color: #000000;\">In a statement, American Cinematheque said &#8220;Director Chung&#8217;s oeuvre consists of genre-bending films distinguished by gripping plots, nuanced performances, and poetic cinematography. From psychological horror to crime saga, Chung explores the recurring themes of violence, memory, and reconciliation with a distinctive style.&#8221;<\/span><\/p>\n<p><span style=\"color: #000000;\">Chung authored and directed his first work of fiction, \u201cParking\u201d (2008), which was full of black comedy and cleverly constructed with characters and narrative twists. The feature has received critical acclaim and was nominated for the Un Certain Regard at the Cannes Film Festival.<\/span><\/p>\n<p><span style=\"color: #000000;\">\u201cGodspeed\u201d (2016), a rare road film, showcases Taiwan&#8217;s distinctive environment, culture, and vibrant society while also presenting Chung&#8217;s genuine concern for the land.<\/span><\/p>\n<p><span style=\"color: #000000;\">The film &#8220;A Sun\u201d (2019), a piercing and engrossing account of a family that experiences heartbreak, extreme loss, shame, and unmet expectations tested to near ruin, was a shortlist of 15 for Best International Film at the 93rd Academy.<\/span><\/p>\n<p><span style=\"color: #000000;\">Chung&#8217;s recent piece, &#8220;The Embers\u201d (2024), explores the process of personal reconciliation with Taiwan&#8217;s history and memories against the backdrop of Taiwan&#8217;s martial regime era and the years following its repeal.<\/span><\/p>\n<p><span style=\"color: #000000;\">The selections in this retrospective serve as a representation of all of his creations. Director Chung will participate in the Q&amp;A sessions to discuss his filmmaking.<\/span><\/p>\n<p><span style=\"color: #000000;\">\u2018\u25aaFRI May 16, 2025\u00a0 <\/span><span style=\"color: #000000;\">7:00PM Los Feliz 3<\/span><\/p>\n<div id=\"attachment_72731\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/lapost.us\/wp-content\/uploads\/2025\/05\/Parking_2008.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-72731\" class=\"size-full wp-image-72731\" src=\"https:\/\/lapost.us\/wp-content\/uploads\/2025\/05\/Parking_2008.png\" alt=\"\" width=\"600\" height=\"399\" srcset=\"https:\/\/lapost.us\/wp-content\/uploads\/2025\/05\/Parking_2008.png 600w, https:\/\/lapost.us\/wp-content\/uploads\/2025\/05\/Parking_2008-300x200.png 300w, https:\/\/lapost.us\/wp-content\/uploads\/2025\/05\/Parking_2008-520x346.png 520w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><p id=\"caption-attachment-72731\" class=\"wp-caption-text\">Parking_(2008), Photo courtesy of CREAM PRODUCTION CO., LTD.<\/p><\/div>\n<p><span style=\"color: #000000;\">PARKING | Q&amp;A with filmmaker Chung Mong-Hong<\/span><\/p>\n<p><span style=\"color: #000000;\">\u2018\u25aaFRI May 16, 2025\u00a0<\/span><span style=\"color: #000000;\">10:00PM Los Feliz 3<\/span><\/p>\n<div id=\"attachment_72732\" style=\"width: 2570px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/lapost.us\/wp-content\/uploads\/2025\/05\/Godspeed_2016-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-72732\" class=\"size-full wp-image-72732\" src=\"https:\/\/lapost.us\/wp-content\/uploads\/2025\/05\/Godspeed_2016-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1089\" srcset=\"https:\/\/lapost.us\/wp-content\/uploads\/2025\/05\/Godspeed_2016-scaled.jpg 2560w, https:\/\/lapost.us\/wp-content\/uploads\/2025\/05\/Godspeed_2016-300x128.jpg 300w, https:\/\/lapost.us\/wp-content\/uploads\/2025\/05\/Godspeed_2016-1024x436.jpg 1024w, https:\/\/lapost.us\/wp-content\/uploads\/2025\/05\/Godspeed_2016-768x327.jpg 768w, https:\/\/lapost.us\/wp-content\/uploads\/2025\/05\/Godspeed_2016-1536x654.jpg 1536w, https:\/\/lapost.us\/wp-content\/uploads\/2025\/05\/Godspeed_2016-2048x872.jpg 2048w, https:\/\/lapost.us\/wp-content\/uploads\/2025\/05\/Godspeed_2016-520x221.jpg 520w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/a><p id=\"caption-attachment-72732\" class=\"wp-caption-text\">Godspeed_(2016) Photo courtesy of CREAM PRODUCTION CO., LTD.<\/p><\/div>\n<p><span style=\"color: #000000;\">GODSPEED | Introduction by filmmaker Chung Mong-Hong<\/span><\/p>\n<p><span style=\"color: #000000;\">\u25aa SAT May 17\u00a0<\/span><span style=\"color: #000000;\">\u00a07:00PM Aero Theatre<\/span><\/p>\n<div id=\"attachment_72728\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/lapost.us\/wp-content\/uploads\/2025\/05\/A_Sun_2019_.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-72728\" class=\"size-full wp-image-72728\" src=\"https:\/\/lapost.us\/wp-content\/uploads\/2025\/05\/A_Sun_2019_.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https:\/\/lapost.us\/wp-content\/uploads\/2025\/05\/A_Sun_2019_.jpg 800w, https:\/\/lapost.us\/wp-content\/uploads\/2025\/05\/A_Sun_2019_-300x200.jpg 300w, https:\/\/lapost.us\/wp-content\/uploads\/2025\/05\/A_Sun_2019_-768x512.jpg 768w, https:\/\/lapost.us\/wp-content\/uploads\/2025\/05\/A_Sun_2019_-520x346.jpg 520w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a><p id=\"caption-attachment-72728\" class=\"wp-caption-text\">A_Sun_(2019) Photo courtesy of CREAM PRODUCTION CO., LTD.<\/p><\/div>\n<p><span style=\"color: #000000;\">A SUN | Q&amp;A with filmmaker Chung Mong-Hong<\/span><\/p>\n<p><span style=\"color: #000000;\">\u25aaSUN May 18\u00a0<\/span><span style=\"color: #000000;\">\u00a01:00PM Los Feliz 3\u00a0\u00a0<\/span><\/p>\n<p><span style=\"color: #000000;\">Chung Mong-Hong Presents STRANGER THAN PARADISE<\/span><\/p>\n<p><span style=\"color: #000000;\">\u25aaSUN May 18\u00a0 3:30PM Los Feliz 3<\/span><\/p>\n<div id=\"attachment_72730\" style=\"width: 500px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/lapost.us\/wp-content\/uploads\/2025\/05\/The_Embers_2024.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-72730\" class=\"size-full wp-image-72730\" src=\"https:\/\/lapost.us\/wp-content\/uploads\/2025\/05\/The_Embers_2024.png\" alt=\"\" width=\"490\" height=\"326\" srcset=\"https:\/\/lapost.us\/wp-content\/uploads\/2025\/05\/The_Embers_2024.png 490w, https:\/\/lapost.us\/wp-content\/uploads\/2025\/05\/The_Embers_2024-300x200.png 300w\" sizes=\"auto, (max-width: 490px) 100vw, 490px\" \/><\/a><p id=\"caption-attachment-72730\" class=\"wp-caption-text\">The_Embers_(2024) Photo courtesy of CREAM PRODUCTION CO., LTD.<\/p><\/div>\n<p><span style=\"color: #000000;\">THE EMBERS |Q&amp;A with filmmaker Chung Mong-Hong<\/span><\/p>\n<p><span style=\"color: #000000;\">For more information and tickets, please visit<\/span> <a href=\"https:\/\/urldefense.com\/v3\/__https:\/www.americancinematheque.com\/series\/chung-mong-hong-an-american-cinematheque-retrospective\/__;!!BL9GA0TyTA!flvDIfjJXqQQLa1w5IV2F9IEiEqAfTJpc3m2_TWgkST2ev5JxVOXulv31_vabPfed-zQpZHVTdRWQ-OA8rU$\">https:\/\/www.americancinematheque.com\/series\/chung-mong-hong-an-american-cinematheque-retrospective\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>LAPost\/Los Angeles, Ca (May 9, 2025)&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":72729,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,6],"tags":[],"class_list":["post-72725","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-ca-local"],"_links":{"self":[{"href":"https:\/\/lapost.us\/index.php?rest_route=\/wp\/v2\/posts\/72725","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lapost.us\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lapost.us\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lapost.us\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lapost.us\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=72725"}],"version-history":[{"count":3,"href":"https:\/\/lapost.us\/index.php?rest_route=\/wp\/v2\/posts\/72725\/revisions"}],"predecessor-version":[{"id":72733,"href":"https:\/\/lapost.us\/index.php?rest_route=\/wp\/v2\/posts\/72725\/revisions\/72733"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lapost.us\/index.php?rest_route=\/wp\/v2\/media\/72729"}],"wp:attachment":[{"href":"https:\/\/lapost.us\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=72725"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lapost.us\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=72725"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lapost.us\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=72725"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}