LAAPFF PRESENTS: HONG KONG GENERATIONS OF CINEMA, SPONSORED BY HONG KONG ECONOMIC AND TRADE OFFICE, SAN FRANCISCO

(September 15, 2022) Los Angeles, CA – The Los Angeles Asian Pacific Film Festival (LAAPFF) announced lineup for LAAPFF PRESENTS: HONG KONG GENERATIONS OF CINEMA, sponsored by Hong Kong Economic And Trade Office, San Francisco (HKETO). The special 1-day showcase will take place on October 15th in Los Angeles, at the Museum of Contemporary Art, Grand Ave.

HONG KONG GENERATIONS OF CINEMA celebrates the diverse storytelling talent to come out of Hong Kong, and uplifts its impact on audiences all over the globe. The lineup will feature filmmaking from different decades, including:

  • The 1993 film HEROIC TRIO, directed by Johnnie To, starring Hong Kong cinema icons Maggie Cheung, Michelle Yeoh, and Anita Mui
  • The 2019 film TWILIGHT’S KISS (SUK SUK); a quiet portrayal of a gay relationship between two men in their twilight years, directed by Ray Yeung
  • And a shorts program featuring films from directors: Natalie Chao, Linhan Zhang, Wong Kar Wai, Kristi Hoi, and Esther Cheung.

 

“Hong Kong cinema has left a profound impact on world cinema. Beyond thrilling action set-pieces and dazzling visuals, film fans across the globe have fallen in love with these  homegrown stories of resilience, hope, and promise, told through a unique cinematic lens. We look forward to presenting some of our favorites on the big screen,” says Kirby Peñafiel (Sr. Programmer, LAAPFF).

 

To view film schedule, film synopsis, and to secure a ticket, please visit:  https://laapffpresents.eventive.org/welcome

 

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WHAT: LAAPFF PRESENTS: HONG KONG GENERATIONS OF CINEMA,

WHERE: MOCA GRAND AVE @ 250 S Grand Ave, Los Angeles, CA 90012

WHEN: SATURDAY OCTOBER 15, 2022 * screening times vary

TICKET PRICE: $5.00

TO SECURE TICKETS AND VIEW FILM SCHEDULE: https://laapffpresents.eventive.org/welcome

 

HEROIC TRIO

Narrative Feature directed by Johnnie To

83 minutes

1993

 

The supernova star power of Hong Kong cinema icons Maggie Cheung, Michelle Yeoh, and Anita Mui propels this gloriously unrestrained action extravaganza from genre maestro Johnnie To, which injects its martial-arts mayhem with a blast of comic-book lunacy. They are the knife-throwing, shotgun-toting, kung-fu-fighting super-heroines who must overcome their dark pasts in order to defeat an evil, baby-snatching eunuch who is terrorizing Hong Kong. Eye-popping motorcycle stunts, brain-exploding skeletons, infant cannibals, and kinetically choreographed wire work are all part of the delirium in this unstoppably entertaining cult favorite (referenced in Cheung’s international breakthrough Irma Vep), a kick-butt showcase for three of the coolest women warriors to ever hit the screen.

 

TWILIGHT’S KISS (SUK SUK) 

Narrative Feature directed by Ray Yeung

92 mins

2019

 

Pak, a 70-year-old taxi driver who refuses to retire, meets Hoi, a retired 65-year-old single father at a park. Despite the families that they had built, the encounter sparks a desire that they had both suppressed and leads to a contemplation of a life together.Yeung grew up in Hong Kong. At the age 13, he was sent to an English boarding school outside of London. Prior to his career in entertainment, Yeung was a lawyer. He graduated from Columbia University School of the Arts in 2013. Yeung had expressed interest in doing a Cantonese-language film set in Hong Kong, having grown up there until age 13. He is based out of Hong Kong, where he moved in 2015 after graduating from his MFA program at Columbia University.

 

SHORTS PROGRAM

IN PASSING

Animated Short directed by Esther Cheung

4 minutes

2019

 

In Passing transports viewers and immerses them in the fleeting moments of everyday Hong Kong. Following two neighbors as they grow up in government housing in bustling Mong Kok, Kowloon, the film pays homage to old Hong Kong, and aims to capture the history and rich culture of the times. The film is inspired by my parents’ reminiscing on their childhoods.

 

NO LAW NO HEAVEN

Narrative Short directed by Kristi Hoi

24 minutes

2021

 

A man’s life in three vignettes as he navigates his sexual identity amidst tradition in Hong Kong’s notorious Kowloon Walled City.

 

THE HAND

Narrative short directed by Wong Kar Wai

44 minutes

2004

 

Like In the Mood for Love, The Hand is set in the hazy Hong Kong of the 1960s, but its characters couldn’t be more different from the earlier film’s restrained, haunted lovers. Originally conceived for the omnibus film Eros, the film—presented in this retrospective for the first time in its extended cut—tells the tale of Zhang (Chang Chen), a shy tailor’s assistant enraptured by a mysterious client, Miss Hua (Gong Li). A hypnotic tale of obsession, repression, and class divisions, The Hand finds Wong Kar Wai continuing to transition from the frenetic, energized style of his earlier films into a register that is lush with romantic grandeur.

 

THE LAST FERRY FROM GRASS ISLAND

Narrative directed by Linhan Zhang

14 minutes

2020

 

A Hong Kong hitman retires as a fisherman on the peaceful Grass Island. One day, his Chinese apprentice shows up, tasked to kill him before the last ferry departs.

Showtime: Playing in Shorts Program at

 

TO KNOW HER

Documentary directed by Natalie Chao

15 minutes

2019

 

Synopsis: A poetic exploration of the camera’s gaze and a family’s relationship with the filmmaker’s mother.